Awash in Culture–and Wishing I’d Hit Record!

I actually had a voice recording device on me today, but I hadn’t set it up.

I was in Linenhall for a quick, half hour coffee meeting. So, I didn’t think to ask to record until the conversation was too good to stop for something as odd and pragmatic as setting up the iPhone.

I was meeting Máirtin D’Alton (the architect who lead a tour I attended during Open House Dublin, I’ve included a photo to spark your memory).

Following the Tour, I suggested/recommended/fairly much insisted on him for a position at DIT. Sima took my advice, and he’s been working for an hour a week in the 4th year architectural technology studio ever since.

Of course, he’s giving more time than an hour a week to the cause.

He’s being very conscientious in the role–he showed me the prep work he’d done for today.  (I always like to know it’s working out well after I recommend someone!) His prep work must have taken hours.

And, he was also part of a studio crit yesterday that lasted from 9am-7pm. Whew! How exhausting!

He still made time to meet me for coffee before studio today. And, our conversation today was fascinating!  I made a few notes on my phone at the end. They’re below, in rough form but interesting nonetheless.

Typical Irish bungalow. This one located near Killaney. (Photo © Brian Shaw.)

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Bungalows have been the norm for single family detached housing in Ireland–past and present. You’ve been able to buy plan books. There are lots of versions of bungalows out there but they all have basic rectangle with simple hip or gabled roof. They’re getting more complex roofs now. They used to be situated with the gable end toward the SW to capture breeze and solar energy, but by now many town councils have regulated they should face street. Hedgerows have been removed to allow roads to be widened. This has changed the composition of Irish towns greatly. They don’t reflect nature or the social fabric the same way as in the past.

The Irish fascination with the TV show “Dallas” lead to over abundance if houses mimicking that style, especially in the north.

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New-fangled bungalow in Tralee, used as a B&B. Downloaded from property listing website.

We discussed WalMart’s development strategy and how this plays out with IKEA around the globe and with Carrefour and the like in France. In France, the big box stores on outskirts have strangled small businesses, much like in the USA.  (IKEA has been getting big press for plans to go green lately, but they really must address the longevity and up-cycling of their products. Their solar lights are very poor quality and they break with little use.)

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Irish traditional music was almost dead in the 1960s. A Guggenheim sister came and did recordings (i.e., qualitative research).  She brought a group to NYC (she had a close relationship with one of the group). The group was set to play for two minutes on a TV show, but due to a cancellation they ended up with 20 minutes to play. They resorted to playing tunes their mom had taught them. This show brought out American enthusiasm; it was wildly popular in the US. This sparked a revival of traditional music on Ireland. (Interestingly, Fulbright Ireland has a big role in preserving Irish language today.)

Image by John Moore / Getty Images / AAP, from the article Totally green: IKEA pledges to switch to 100% renewable energy by 2020.

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Regarding names: it was popular in the north to use the mother’s last name (surname or family name) as the child’s first name. That’s how names like Kelly and Shannon would have started bring used as first names.
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Jimmy Stewart biography.

In our discussion, I posited that architectural pedagogy is becoming more relevant to society while the architecture profession is becoming less and less relevant (the irony is that education has a big role to play in instilling the types of values that are causing this demise, as well as instilling a sense of curiosity and engagement that makes architecture grads so valuable to other fields).

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Mairtin told me that Jimmy Stewart studied architecture at Princeton. He then bagged it, and went into acting. He played in a film set in the Shenandoah Valley, that Máirtin watched last weekend.
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…Máirtin has offered to show Esther Serchi and me some important sights on the outskirts of Dublin, while she’s visiting in a week.

Upcoming Talks

Richard Hayes engaged with students in a hands-on course at the Dublin Institute of Technology. (Copyright Shannon Chance, March 2012).

I’m giving two talks next week that you’re welcome to attend.

Tuesday I’ll discuss “A View from the Outside: Transforming Pedagogy at the DIT.” It’s part of a College Education Seminar entitled “Building a Student-Centred Programme – A College Case Study.”

Thursday I’ll discuss “Transformational Education at the DIT” to help celebrate the launch of DIT’s 2012-13 Teaching Fellowship program.

The photo I’ve attached shows the types of hands-on learning experiences electrical engineering students get at the DIT these days.

Fulbright Ireland website’s includes full details about the talks.

Dashing Between Stories

Sometime this weekend, dashing from the all-day seminar “Conversations on Stories” hosted by Notre Dame and the evening welcome event hosted by the Fulbright Ireland Alumni Association, I managed to capture a few fleeting glimpses of Dublin for you.  These were all taken near O’Connell Bridge.

Mechatronics and Makers Clubs

Cool!

I’m elbow deep in transcribing an interview tonight (I’m doing a follow up interview with the same teacher tomorrow and  I need to study what he said last time).

Anyway, he referred to mechatronics.  I had to look it up just to spell it. Here’s where Wikipedia comes in handy… since it’s all about the quick social construction of knowledge. It says:

Mechatronics is the combination of Mechanical engineering, Electronic engineering, Computer engineering, Software engineering, Control engineering, and Systems Design engineering in order to design and manufacture useful products.”

I got this image off Flicker by looking up Makers Fair. It shows a kids’ version of a Makers Faire.

The engineering teacher I was interviewing also explained Makers Clubs to me.  “So, I don’t know if you’re familiar with Makers Clubs,” he said, “but they’re basically hobbyists getting together to work on work on just building kind of electronics and mechatronics, gadgets and stuff. And people just decide they’re going to make something and they just put it together and there’s a lot of camaraderie and so on. But it’s definitely learning by doing.”

He worked in a place like that that specialized in medical rehabilitation.

How fascinating!

I’m off to finish this transcription so I’ll remember all he said about that work before I interview him (on a different subject) tomorrow.

Another shot from Flicker.

Meeting My Musical Family

I just emailed the current Fulbrighters in Ireland to see if they want to join me at the Cobblestone Pub in Smithfield (Dublin 7) on Tuesday, October 30.  I also posted this to the Fulbright Ireland alumni page on LinkedIn to see if any of them want to come along… had such a ball with them Friday. (More about that later.)

Then I realized you might want to come, too!

You may have seen my blog post about Tom Mulligan and his Cobblestone Pub and about Fulbright Amanda and Jonathan playing there.

Tom says one of his brothers (Alfie, a piper) will be playing that night between 7 and 10 pm. Alfie’s daughter and two sons will be playing as well.  It’s possible that Neillidh (mentioned in the blog) might also play. They’re all related to me in some way, and this is a chance for me to get to meet them and enjoy their melodies. Perhaps you’d enjoy being part of the fun?

This is an informal event, to be held in the front bar.  There’s no admission cost… just the cost of your own drinks. Perhaps I’ll see you there?

My Incredible HU Students

I’m so glad to have Facebook so I can stay connected with family, friends, colleagues, and past students. Several of the students I coached in a Disney design competition work as Disney Imagineers today.  Nikk and Nicole Smith crafted this fine image of the Obama family (and yes, they had the blessing of Pixar).

The Obamas as Incredibles, copyright Nikkolas and Nicole Smith.

Carlton Copeland, who travelled to Italy with me last May, posted a reflection shot of his own last week, and acknowledged my contribution.  🙂

Carlton’s caption on Facebook for this shot was:
“An addiction taught by @shannonchance — with Shannon Massie Chance.”

He’s part of Hampton University’s Solar Decathlon team.  You can see his work from our summer design studio at Urban Push. His team’s proposal for a new development in Romewas great. Below are a few of his photos and sketches from the trip, and the banner shot form his Facebook pag

From Piazza San Marco, Venice (copyright Carlton Copeland, 2012).

Carlton’s Facebook banner — a photo from our May 2012 trip to Italy.

A sketch Carlton made in Rome (copyright Carlton Copeland, 2012).

Carlton’s photo of me in Italy  (copyright Carlton Copeland, 2012).

Sketch of Piazza Fenice, in Venice (copyright Carlton Copeland, 2012).

Learning the Fulbright Ropes

2012 Irish Fulbrighters visiting Trim Castle. (All orientation photos by Dave Chance.)

Fulbright Ireland welcomed us to to the country with Irish warmth and hospitality.

Although I haven’t sorted through my own photos from the September 6-7, 2012 orientation that Fulbright Ireland hosted, Dave edited his long ago.  Some of them are here for you to see.

Hamming it up on top of Trim Castle, with Joanne Davidson, my guardian angel.

During the orientation, we spent a day visiting the Hill of Tara and Trim Castle.  We also had a day of informational sessions including sessions on culture and language.

The Fulbright Commission in Ireland is very family-friendly.  You’ll see we all have family member with us.  For instance, Dave (my husband) and Heather (my sister) came along for the Friday festivities.

I’ll also take this opportunity to introduce you to Joanne Davidson–one of my guardian angles from the Irish Fulbright Commission.  Colleen Dube, another angel and the Head of Fulbright Ireland, is pictured in the photo gallery (walking with Jonathan Kennedy, who you’ve seen playing elbow pipes at the Cobblestone Pub).

Fulbrighters: if you want to download high-resolution copies of these and other images that Dave took, please email me and I’ll give you access to the Dropbox folder where we keep them.

Seminar in the Making

Today’s an interesting and fairly typical day… morning yoga, transcribing, fairly successful bike ride/commute, book discussion with Gavin, lunch meeting with engineering lecturers, introductions with administrative leaders in engineering.

We are preparing for a seminar that all of us will present to the College faculty in a couple of weeks. Evidentially, some things Gavin and I discussed with the Dean (while we were in Greece) interested him enough to prompt a seminar.

Later today, I’ll head to an event on “stories” at Notre Dame’s O’Connell House. For now, reading in the office.

Here’s a photo of some of the engineers I met with (Dave, Ted, and Gavin). We took lunch in the staff cafeteria in the top floor of “Kevin Street” (i.e., the DIT building located on Kevin Street).

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Ful-brighting at the Cobblestone Pub

I’m posting a few photos my husband Dave Chance took the night Amanda Bernhard and her husband Jonathan Kennedy played at the Cobblestone Pub. We’d met them at the Fulbright Orientation weekend, and invited them to stay over at our place so they’d have the chance to visit the Pub.

Both Jonathan and Amanda play uilleann pipes. Amanda also plays fiddle.

Amanda is the Irish language Fulbright to Ireland this year. They are both studying Irish–at the Master’s degree level–at the a university in Galway. Amanda has been blogging about their adventures. You might want to visit her site to learn about on the other coast of Ireland, where many people still speak Irish day to day.

Jonathan is shown here playing uilleann pipes. Amanda plays the uilleann pipes as well as the fiddle. (Copyright Dave Chance Photography, 2012.)

Amanda Bernhard playing fiddle at the Cobblestone Pub. (Copyright Dave Chance Photography, 2012.)

Amanda Bernhard and Jonathan Kennedy playing at the Cobblestone in September 2012. (Copyright Dave Chance Photography, 2012.)

After the Lecture Lights Dim (or, What’s Your Paradigm?)

The “Schools of Thought” lecture series is providing me lots of “food for thought.” It’s being conducted on Tuesday evenings by the fourth and fifth year Architecture studios at the DIT.

Last night Mark Price spoke. He teaches first year Architecture students to draw at University College Dublin (UCD). Create Ireland describes him as “an architect, teacher and writer. He works with the Save 16 Moore Street Committee, the Irish Anti-War Movement and the Irish Palestine Solidarity Campaign.”

At last night’s lecture, Mark spoke on the topic of the Architecture “Crit.” He discussed how unequal power relationships that are inherent in the Crit format both define and limit our profession.

Overall, he was quite critical of the way Crits are conducted.

I am fascinated by this particular topic–I’ve done some research on students’ view of assessment activities like the Crit.  I did this work with Michael Seymour at the University of Mississippi, who just won a national teaching award. The paper we wrote, Assessment Formats: Student Preferences and Perceptions was published in the International Journal of Learning. It even won a research award from the Mississippi Chapter of the American Society of Landscape Architects.

During Q&A session that followed Mark’s lecture last night, DIT lecturer Dominic Stevens argued in favor of the Crit format.  I chimed in about what Michael Seymour and I had found.  I was trying to contribute ideas for giving students feedback in more humane ways. These are techniques that my colleagues and I use at Hampton University–and that our students responded very positively about when surveyed for the Assessment Formats paper.

After the lecture wrapped up last night, a group of us headed to the Black Sheep Inn “for a pint” and to continue discussing philosophy, architecture, and revolutionary politics.

Mark Price, Dominic Stevens, and Jim Roche deep in discussion at the Black Sheep Inn. Brian Ward and I chimed in, too!

What I have found in Ireland is that the political center is quite farther left than at home in the States. This holds true off campus as well as on.

I also find that I enjoy hearing these divergent points of view.  It’s a refreshing change to our two-party, little-choice state of affairs in the USA.

The biggest difference among those gathered over ale last night is that I typically conduct my research from the interpretivist (and sometimes constructivist) paradigm–an observational and participatory stance–whereas the other folks I met with are quite active politically.  They are working hard to change things and make the world a more just place. They want to create big-scale change in the world and they are critical of the way things operate.

A professor at the University of Western Cape explains my stance: “Epistemologically, an interpretive researcher is empathetic in nature. The researcher would put him/herself in the shoes of the participant in order to comprehend more effectively. The researcher seeks to recognize the participant’s understanding of situations (Henning, 2005).” This is what I am trying to do in my research project for JEE.

Danna Carballo describes their stance: “Critical theories share some ideas of the interpretative paradigm, but what makes it different is that critical paradigm focuses on oppression. …They believe there are some groups who benefit from oppressing others, so their main jobs are to point out the existing contradictions, in order to help people be aware of what is really going on, and create new forms of language that will enable predominant ideology to be exposed and competing ideologies to be heard.” Mark definitely took this stance in his lecture. His point was that the Crit format oppresses students and reinforces traditionally-desired power arrangements.

With that, I can clearly agree!